I have often said that my career as a medical artist for almost 50 years has been a sort of “command performance” in the sense that it has grown in response to the desires and requests of the medical profession.
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Over these many years, I have produced almost 4,000 illustrations, mostly for The CIBA (now Netter) Collection of Medical Illustrations but also for Clinical Symposia. These pictures have been concerned with the varied subdivisions of medical knowledge such as gross anatomy, histology, embryology, physiology, pathology, diagnostic modalities, surgical and therapeutic techniques and clinical manifestations of a multitude of diseases. As the years went by, however, there were more and more requests from physicians and students for me to produce an atlas purely of gross anatomy. Thus, this atlas has come about, not through any inspiration on my part but rather, like most of my previous works, as a fulfillment of the desires of the medical profession.
It involved going back over all the illustrations I had made over so many years, selecting those pertinent to gross anatomy, classifying them and organizing them by system and region, adapting them to page size and space and arranging them in logical sequence. Anatomy of course does not change, but our understanding of anatomy and its clinical significance does change, as do anatomical terminology and nomenclature. This therefore required much updating of many of the older pictures and even revision of a number of them in order to make them more pertinent to today’s ever-expanding scope of medical and surgical practice. In addition, I found that there were gaps in the portrayal of medical knowledge as pictorialized in the illustrations I had previously done, and this necessitated my making a number of new pictures that are included in this volume. In creating an atlas such as this, it is important to achieve a happy medium between complexity and simplification. If the pictures are too complex, they may be difficult and confusing to read; if oversimplified, they may not be adequately definitive or may even be misleading. I have therefore striven for a middle course of realism without the clutter of confusing minutiae. I hope that the students and members of the medical and allied professions will find the illustrations readily understandable, yet instructive and useful. At one point, the publisher and I thought it might be nice to include a foreword by a truly outstanding and renowned anatomist, but there are so many in that category that we could not make a choice. We did think of men like Vesalius, Leonardo da Vinci, William Hunter and Henry Gray, who of course are unfortunately unavailable, but I do wonder what their comments might have been about this atlas
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